The best that cinema has had to offer since 2000 as picked by 177 film critics from around the world.

“They don’t make ‘em like they used to.”

How often have we all heard that resigned expression? How often have we said it ourselves? ‘The death of cinema’ is debated in university film studies programs worldwide. Critics lament the loss of 'small movies' in favour of superhero spectacles. Box-office analysts look for signs of an industry on the brink. Studio executives fear that video-on-demand may destroy the idea of going to the cinema more than broadcast and cable TV ever did.

And what can we really call a new classic? What in recent vintage can hold its own on the big screen with the likes of The Searchers, The Godfather, The Rules of the Game, Seven Samurai or Citizen Kane? Some film journalists even think the movie star is a thing of the past.

Perhaps the fault lies not in our movie stars, but in ourselves. If you can’t find masterpieces amid the blockbuster flotsam, you simply aren’t looking hard enough. Film-making today, whether massively expensive or made with tiny budgets, shot on celluloid or video, is thriving artistically as much as it ever has. But today you’ll find greater diversity in the kinds of films being made, if not in the people who are making them. That’s why we, the editors of BBC Culture, decided to commission a poll of critics to determine the 100 greatest films of the 21st Century. Last year, we asked critics to name the greatest American films of all time, and we were surprised that only six films made since 2000 made the top 100. Is there a feeling that time sanctifies a classic? Perhaps. But this time, we wanted to prove that this century has given us films that will stand the test of time, that you will continue to think about and argue about if only you give them a chance and watch them.

For our poll to determine the 100 greatest American films, we surveyed 62 film critics from around the world. This time, we received responses from 177 – from every continent except Antarctica. Some are newspaper or magazine reviewers, others write primarily for websites; academics and cinema curators are well-represented too. For the purposes of this poll we have decided that a list of the greatest films of the 21st Century should include the year 2000, even though we recognise that there was no ‘Year Zero’ and that 2001 is mathematically the start of the century. Not only did we all celebrate the turn of the millennium on 31 December 1999, but the year 2000 was a landmark in global cinema, and, in particular, saw the emergence of new classics from Asia like nothing we had ever seen before.

We believe that the new classics on this list are destined to become old classics. Whether or not that happens is ultimately up to you, the moviegoers. But one thing is certain: cinema isn’t dying, it’s evolving.

100. Toni Erdmann (Maren Ade, 2016)
100. Requiem for a Dream (Darren Aronofsky, 2000)
100. Carlos (Olivier Assayas, 2010)
99. The Gleaners and I (Agnès Varda, 2000)
98. Ten (Abbas Kiarostami, 2002)
97. White Material (Claire Denis, 2009)
96. Finding Nemo (Andrew Stanton, 2003)
95. Moonrise Kingdom (Wes Anderson, 2012)
94. Let the Right One In (Tomas Alfredson, 2008)
93. Ratatouille (Brad Bird, 2007)
92. The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007)
91. The Secret in Their Eyes (Juan José Campanella, 2009)
90. The Pianist (Roman Polanski, 2002)
89. The Headless Woman (Lucrecia Martel, 2008)
88. Spotlight (Tom McCarthy, 2015)
87. Amélie (Jean-Pierre Jeunet, 2001)
86. Far From Heaven (Todd Haynes, 2002)
85. A Prophet (Jacques Audiard, 2009)
84. Her (Spike Jonze, 2013)
83. A.I. Artificial Intelligence (Steven Spielberg, 2001)
82. A Serious Man (Joel and Ethan Coen, 2009)
81. Shame (Steve McQueen, 2011)
80. The Return (Andrey Zvyagintsev, 2003)
79. Almost Famous (Cameron Crowe, 2000)
78. The Wolf of Wall Street (Martin Scorsese, 2013)
77. The Diving Bell and the Butterfly (Julian Schnabel, 2007)
76. Dogville (Lars von Trier, 2003)
75. Inherent Vice (Paul Thomas Anderson, 2014)
74. Spring Breakers (Harmony Korine, 2012)
73. Before Sunset (Richard Linklater, 2004)
72. Only Lovers Left Alive (Jim Jarmusch, 2013)
71. Tabu (Miguel Gomes, 2012)
70. Stories We Tell (Sarah Polley, 2012)
69. Carol (Todd Haynes, 2015)
68. The Royal Tenenbaums (Wes Anderson, 2001)
67. The Hurt Locker (Kathryn Bigelow, 2008)
66. Spring, Summer, Fall, Winter…and Spring (Kim Ki-duk, 2003)
65. Fish Tank (Andrea Arnold, 2009)
64. The Great Beauty (Paolo Sorrentino, 2013)
63. The Turin Horse (Béla Tarr and Ágnes Hranitzky, 2011)
62. Inglourious Basterds (Quentin Tarantino, 2009)
61. Under the Skin (Jonathan Glazer, 2013)
60. Syndromes and a Century (Apichatpong Weerasethakul, 2006)
59. A History of Violence (David Cronenberg, 2005)
58. Moolaadé (Ousmane Sembène, 2004)
57. Zero Dark Thirty (Kathryn Bigelow, 2012)
56. Werckmeister Harmonies (Béla Tarr, director; Ágnes Hranitzky, co-director, 2000)
55. Ida (Paweł Pawlikowski, 2013)
54. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)
53. Moulin Rouge! (Baz Luhrmann, 2001)
52. Tropical Malady (Apichatpong Weerasethakul, 2004)
51. Inception (Christopher Nolan, 2010)
50. The Assassin (Hou Hsiao-hsien, 2015)
49. Goodbye to Language (Jean-Luc Godard, 2014)
48. Brooklyn (John Crowley, 2015)
47. Leviathan (Andrey Zvyagintsev, 2014)
46. Certified Copy (Abbas Kiarostami, 2010)
45. Blue Is the Warmest Color (Abdellatif Kechiche, 2013)
44. 12 Years a Slave (Steve McQueen, 2013)
43. Melancholia (Lars von Trier, 2011)
42. Amour (Michael Haneke, 2012)
41. Inside Out (Pete Docter, 2015)
40. Brokeback Mountain (Ang Lee, 2005)
39. The New World (Terrence Malick, 2005)
38. City of God (Fernando Meirelles and Kátia Lund, 2002)
37. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)
36. Timbuktu (Abderrahmane Sissako, 2014)
35. Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
34. Son of Saul (László Nemes, 2015)
33. The Dark Knight (Christopher Nolan, 2008)
32. The Lives of Others (Florian Henckel von Donnersmarck, 2006)
31. Margaret (Kenneth Lonergan, 2011)
30. Oldboy (Park Chan-wook, 2003)
29. WALL-E (Andrew Stanton, 2008)
28. Talk to Her (Pedro Almodóvar, 2002)
27. The Social Network (David Fincher, 2010)
26. 25th Hour (Spike Lee, 2002)
25. ​Memento (Christopher Nolan, 2000)
24. The Master (Paul Thomas Anderson, 2012)
23. Caché (Michael Haneke, 2005)
22. Lost in Translation (Sofia Coppola, 2003)
21. The Grand Budapest Hotel (Wes Anderson, 2014)
20. Synecdoche, New York (Charlie Kaufman, 2008)
19. Mad Max: Fury Road (George Miller, 2015)
18. The White Ribbon (Michael Haneke, 2009)
17. Pan's Labyrinth (Guillermo Del Toro, 2006)
16. Holy Motors (Leos Carax, 2012)
15. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)
14. The Act of Killing (Joshua Oppenheimer, 2012)
13. Children of Men (Alfonso Cuarón, 2006)
12. Zodiac (David Fincher, 2007)
11. Inside Llewyn Davis (Joel and Ethan Coen, 2013)
10. No Country for Old Men (Joel and Ethan Coen, 2007)
9. A Separation (Asghar Farhadi, 2011)
8. Yi Yi: A One and a Two (Edward Yang, 2000)
7. The Tree of Life (Terrence Malick, 2011)
6. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
5. Boyhood (Richard Linklater, 2014)
4. Spirited Away (Hayao Miyazaki, 2001)
3. There Will Be Blood (Paul Thomas Anderson, 2007)
2. In the Mood for Love (Wong Kar-wai, 2000)
1. Mulholland Drive (David Lynch, 2001)

BBC Culture polled 253 film critics from 52 countries to determine the funniest films ever made.

So this year BBC Culture decided to get serious about comedy. We asked 253 film critics – 118 women and 135 men – from 52 countries and six continents a simple: “What do you think are the 10 best comedies of all time?” Films from any country made since cinema was invented were eligible, and BBC Culture did nothing to define in advance what a comedy is; we left that to each of the critics to decide. As always, we urged the experts to go with their heart and pick personal favourites, films that are part of their lives, not just the ones that meet some ideal of greatness.

And guess what? Only three of those best picture-winning comedies made the top 100. But, in a surprise, quite a few comedies made since 2000 made the cut, even if they had been overlooked in our 100 greatest films of the 21st Century list last year. The highest-ranked film of this century is Anchorman: The Legend of Ron Burgundy at number 33. Toni Erdmann is the most recent film to make the top 100, while Safety Last! is the oldest.

The results are illuminating in other ways. They show that men and women have very similar comedic tastes, with a few key points of divergence – women were much more inclined to vote for Clueless while guys stumped for Animal House. And there’s evidence that comedy is not universal, that what’s considered a joke in English dialogue may not survive translation, and certain regions of the world find some films funnier than critics in other regions do. In fact, if the results had just been confined to critics from the US and Canada an entirely different film would have topped the list. It was largely because of the critics from Europe, East Asia and Latin America that Some Like It Hot was ultimately crowned number one. But as Nicholas Barber writes, Billy Wilder’s sparking diamond of a comedy about role-playing and the fluidity of gender and identity could not be more relevant today. And we have all 253 individual critics’ ballots for you to examine here, plus 25 critics making the case for the top 25.

We hope this list will help comedy receive the artistic consideration it deserves. Or at the very least, that it will inspire you to discover films to put a smile on your face. – Christian Blauvelt, Deputy Editor

100. (tie) The King of Comedy (Martin Scorsese, 1982)
100. The Ladies Man (Jerry Lewis, 1961)
99. The Jerk (Carl Reiner, 1979)
98. The Hangover (Todd Phillips, 2009)
97. The Music Box (James Parrott, 1932)
96. Born Yesterday (George Cukor, 1950)
95. Ghostbusters (Ivan Reitman, 1984)
94. Rushmore (Wes Anderson, 1998)
93. South Park: Bigger, Longer & Uncut (Trey Parker, 1999)
92. The Exterminating Angel (Luis Buñuel, 1962)
91. What's Up, Doc? (Peter Bogdanovich, 1972)
90. A New Leaf (Elaine May, 1971)
89. Daisies (Vera Chytilová, 1966)
88. Zoolander (Ben Stiller, 2001)
87. Gentlemen Prefer Blondes (Howard Hawks, 1953)
86. Kind Hearts and Coronets (Robert Hamer, 1949)
85. Amarcord (Federico Fellini, 1973)
84. Waiting for Guffman (Christopher Guest, 1996)
83. Safety Last! (Fred C Newmeyer and Sam Taylor, 1923)
82. Top Secret! (Jim Abrahams, David Zucker and Jerry Zucker, 1984)
81. There's Something About Mary (Bobby and Peter Farrelly, 1998)
80. Office Space (Mike Judge, 1999)
79. The Dinner Game (Francis Veber, 1998)
78. The Princess Bride (Rob Reiner, 1987)
77. Divorce Italian Style (Pietro Germi, 1961)
76. Design for Living (Ernst Lubitsch, 1933)
75. The Palm Beach Story (Preston Sturges, 1942)
74. Trading Places (John Landis, 1983)
73. The Nutty Professor (Jerry Lewis, 1963)
72. The Naked Gun: From the Files of Police Squad! (David Zucker, 1988)
71. The Royal Tenenbaums (Wes Anderson, 2001)
70. In the Loop (Armando Iannucci, 2009)
69. Love and Death (Woody Allen, 1975)
68. Ninotchka (Ernst Lubitsch, 1939)
67. Sons of the Desert (William A Seiter, 1933)
66. Hot Fuzz (Edgar Wright, 2007)
65. Caddyshack (Harold Ramis, 1980)
64. Step Brothers (Adam McKay, 2008)
63. Arsenic and Old Lace (Frank Capra, 1944)
62. What We Do in the Shadows (Jemaine Clement and Taika Waititi, 2014)
61. Team America: World Police (Trey Parker, 2004)
60. Shaun of the Dead (Edgar Wright, 2004)
59. Toni Erdmann (Maren Ade, 2016)
58. Zelig (Woody Allen, 1983)
57. Mean Girls (Mark Waters, 2004)
56. Broadcast News (James L Brooks, 1987)
55. Best in Show (Christopher Guest, 2000)
54. Harold and Maude (Hal Ashby, 1971)
53. The Blues Brothers (John Landis, 1980)
52. My Man Godfrey (Gregory La Cava, 1936)
51. Seven Chances (Buster Keaton, 1925)
50. Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, 1988)
49. The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)
48. Trouble in Paradise (Ernst Lubitsch, 1932)
47. Animal House (John Landis, 1978)
46. Pulp Fiction (Quentin Tarantino, 1994)
45. Big Deal on Madonna Street (Mario Monicelli, 1958)
44. Bridesmaids (Paul Feig, 2011)
43. M*A*S*H (Robert Altman, 1970)
42. The Awful Truth (Leo McCarey, 1937)
41. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Larry Charles, 2006)
40. The Producers (Mel Brooks, 1967)
39. A Night at the Opera (Sam Wood and Edmund Goulding, 1935)
38. The Philadelphia Story (George Cukor, 1940)
37. Sullivan’s Travels (Preston Sturges, 1941)
36. A Fish Called Wanda (Charles Crichton and John Cleese, 1988)
35. Singin' in the Rain (Stanley Donen and Gene Kelly, 1952)
34. Clueless (Amy Heckerling, 1995)
33. Anchorman: The Legend of Ron Burgundy (Adam McKay, 2004)
32. Raising Arizona (Joel and Ethan Coen, 1987)
31. Tootsie (Sydney Pollack, 1982)
30. Monsieur Hulot's Holiday (Jacques Tati, 1953)
29. When Harry Met Sally... (Rob Reiner, 1989)
28. It Happened One Night (Frank Capra, 1934)
27. The Apartment (Billy Wilder, 1960)
26. Mon Oncle (Jacques Tati, 1958)
25. The Gold Rush (Charlie Chaplin, 1925)
24. Withnail and I (Bruce Robinson, 1987)
23. The Party (Blake Edwards, 1968)
22. Young Frankenstein (Mel Brooks, 1974)
21. City Lights (Charlie Chaplin, 1931)
20. Blazing Saddles (Mel Brooks, 1974)
19. The Lady Eve (Preston Sturges, 1941)
18. Sherlock Jr (Buster Keaton, 1924)
17. Bringing Up Baby (Howard Hawks, 1938)
16. The Great Dictator (Charlie Chaplin, 1940)
15. Monty Python and the Holy Grail (Terry Gilliam and Terry Jones, 1975)
14. His Girl Friday (Howard Hawks, 1940)
13. To Be or Not To Be (Ernst Lubitsch, 1942)
12. Modern Times (Charlie Chaplin, 1936)
11. The Big Lebowski (Joel and Ethan Coen, 1998)
10. The General (Clyde Bruckman and Buster Keaton, 1926)
9. This Is Spinal Tap (Rob Reiner, 1984)
8. Playtime (Jacques Tati, 1967)
7. Airplane! (Jim Abrahams, David Zucker and Jerry Zucker, 1980)
6. Life of Brian (Terry Jones, 1979)
5. Duck Soup (Leo McCarey, 1933)
4. Groundhog Day (Harold Ramis, 1993)
3. Annie Hall (Woody Allen, 1977)
2. Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
1. Some Like It Hot (Billy Wilder, 1959)

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